Kung Fu Hustle
“Kung Fu Hustle”
By Daniel G. Jennings
“Kung Fu Hustle” is one of the wonderful movies that is nothing but fun. Basically the Hustle is a series of action packed comedy skits parodying Kung Fu movie cliché. All of the skits are exciting and thrilling and all of them are absolutely hilarious.
Writer director Stanley Chow has succeeded in doing what his fellow Hong Kong native Jackie Chan couldn’t make a martial arts comedy on the level of the great physical silent comedies of Buster Keaton. It’s all funny, martial arts fans will love the parodies and those unfamiliar with Chinese movies will find it just plain funny.
The movie is made all the better because Chow does a good job of recreating 1930s China. In fact his 1930s city looks more authentic than a lot of American films about the same era. Characters listen to 1930s Chinese records and ride around town in streetcars. That adds to the fun and sets the mood.
As for the plot it’s as silly and convoluted as Frank Miller’s grotesque “Sin City.” An army of fearsome yet inept gangsters called the Ax Gang wages a senseless war on the residents of a tenement called the Pigsty. Fortunately for the residents of the pigsty the landlord, landlady, tailor, noodle maker and neighborhood coolie are Kung Fu masters in disguise. The comedy comes from the efforts of the clumsy gangsters and a pair of moronic small time hoodlums who are trying to join the Ax Gang. As well as the constantly bickering middle aged tenement landlords who turn out to be unstoppable fighters. Just imagine if Fred and Ethel Mertz had been Kung Fu Masters.
This movie works because Chow knows how ludicrous all this Kung Fu stuff is and presents it as such. He has fun with it and that’s why this is a great movie. Instead of trying to make some profound statement or art he just wants to make us laugh. Chow also knows how to emphasize the humanity of his characters which adds to the fun something a lot of Hollywood film makers have forgotten.
I just hope that Chow stays in China and keeps making these comedies. The last thing we need to see is another great Chinese filmmaker or actor turned into a sorry joke by the morons in charge of the American film industry.
By Daniel G. Jennings
“Kung Fu Hustle” is one of the wonderful movies that is nothing but fun. Basically the Hustle is a series of action packed comedy skits parodying Kung Fu movie cliché. All of the skits are exciting and thrilling and all of them are absolutely hilarious.
Writer director Stanley Chow has succeeded in doing what his fellow Hong Kong native Jackie Chan couldn’t make a martial arts comedy on the level of the great physical silent comedies of Buster Keaton. It’s all funny, martial arts fans will love the parodies and those unfamiliar with Chinese movies will find it just plain funny.
The movie is made all the better because Chow does a good job of recreating 1930s China. In fact his 1930s city looks more authentic than a lot of American films about the same era. Characters listen to 1930s Chinese records and ride around town in streetcars. That adds to the fun and sets the mood.
As for the plot it’s as silly and convoluted as Frank Miller’s grotesque “Sin City.” An army of fearsome yet inept gangsters called the Ax Gang wages a senseless war on the residents of a tenement called the Pigsty. Fortunately for the residents of the pigsty the landlord, landlady, tailor, noodle maker and neighborhood coolie are Kung Fu masters in disguise. The comedy comes from the efforts of the clumsy gangsters and a pair of moronic small time hoodlums who are trying to join the Ax Gang. As well as the constantly bickering middle aged tenement landlords who turn out to be unstoppable fighters. Just imagine if Fred and Ethel Mertz had been Kung Fu Masters.
This movie works because Chow knows how ludicrous all this Kung Fu stuff is and presents it as such. He has fun with it and that’s why this is a great movie. Instead of trying to make some profound statement or art he just wants to make us laugh. Chow also knows how to emphasize the humanity of his characters which adds to the fun something a lot of Hollywood film makers have forgotten.
I just hope that Chow stays in China and keeps making these comedies. The last thing we need to see is another great Chinese filmmaker or actor turned into a sorry joke by the morons in charge of the American film industry.
